![]() Amadeo de Souza Cardoso: Diálogo de Vanguardas/Avant-Garde Dialogues (Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian, 2006), pp.(Museu de Arte Contemporânea de Serralves, 2001), p. Mondrian/Amadeo: da paisagem à abstracção/from landscape to abstraction, exh.Hilton Kramer, “Missed Modernist: Rediscovering the art of Amadeo de Souza Cardoso,” Art & Antiques (October 2000), p.Loescher, “A Neglected Modernist,” Art in America 88, no. Hilton Kramer, “Cubist Amadeo returns to City of Armory Show,” New York Observer, Arts and Enterntainment, (August 7, 2000).Roberta Smith, “A Dazzling Flash, Reflected at Last Upon History,” The New York Times, June 16, 2000, p.Jonathan Block and Gisele Atterberry, Design Essentials: A Handbook, 2nd ed.C.: The Corcoran Gallery of Art, 1999), pp. At the Edge: A Portuguese Futurist, Amadeo de Souza Cardoso, exh. ![]() dissertation, University of Delaware, 1996, pp. McCarthy, “Walter Pach: Artist, Critic, Historian, and Agent of Modernism,” Ph.D. Paulo Ferreira, Amadeo de Souza Cardoso: Peintre Portugais, 1887–1918 (Fundação Calouste Gulkenkian, 1995), pp.Jonathan Block and Gisele Atterberry, Design Essentials: A Handbook (Prentice Hall, 1989).Brown, The story of the Armory Show (Abbeville Press, 1988), p. Paul Kruty, “Arthur Jerome Eddy and his Collection: Prelude and Postscript to the Armory Show,” Arts Magazine 61, no.(Fundação Calouste Gulbenkian, 1987), pp. Fundação Calouste Gulbenkian, 1887–1987 Centenário do Nascimento de Amedeo de Souza Cardoso, exh.José-Augusto França, Amadeo de Souza-Cardoso: o português à força & Almada Negreiros: o português sem mestre (Bertrand, 1986), pp.António Quadros Ferreira, “Amadeo de Souza-Cardoso – Descoberta de Portugal,” Jornal de Notícias, Apr.Fernando António Almeida, “Centro de Arte Moderna em Portugal: 70 anos de arte em Portugal,” Expresso, July 16, 1983.(Fundação Calouste Gulbenkian, 1983), n.p. Amadeo de Souza-Cardoso: A Primeira Descoberta de Portugal: Na Europa no Século XX, exh.Fernando de Pamplona, Chave da pintura de Amadeo: as ideias estéticas de Sousa-Cardoso através das suas cartas inéditas (Guimarães and Company, 1983) (ill., as Paisagem maritima, 1912 or 1913).James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago, 1980), p. ![]()
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